Tag: shows

  • Hebe in HMS Pinafore

    Hebe in HMS Pinafore

    The Name is Bond – Jessie Bond

    By the 1890s, Jessie Charlotte Bond was at the peak of her G&S career. She was the leading mezzo-soprano in all of Gilbert and Sullivan’s most famous Savoy operas. She had starred in shows from HMS Pinafore to The Gondoliers, each time creating new roles with more and more importance. Jessie was a real star.

    As with so many successful stage careers it all began with being in the right place at the right time.

    Back in November 1877, W S Gilbert could have been forgiven for feeling rather pleased. His partnership with composer Arthur Sullivan had produced another success. Their new opera, The Sorcerer was playing to ecstatic audiences at the Opera Comique. The impresario Richard D’Oyly Carte was delighted with full houses for every performance and had agreed very favourable terms for their next venture.

    The established star of the Opera Comique, Mrs Isabella Howard Paul was spellbinding audiences as Lady Sangazure in The Sorcerer.  Celebrated for her clever acting and comic impressions of well know singers of the day, Isabella was at the peak of her glittering 25-year stage career. Gilbert was determined to write a suitable role for her in the new opera, HMS Pinafore.

    The leading mezzo-soprano in the new opera was the role of Cousin Hebe. Gilbert set out to write a part for Hebe that would make the most of Isabella’s talents, with ample opportunity for her to include her own famous songs, impressions and comic turns.

    But there was a bit of a snag. Isabella’s voice had deteriorated over the years and although still only 44, she couldn’t successfully sing the music Sullivan composed for Hebe. He wasn’t prepared to compromise a note and was reluctant to use her. Gilbert agreed that there was indeed a problem with her singing.

    They hit on an ingenious plan to keep all Isabella’s clever business and special dialogue in the show, but to give the actual singing to a newcomer. Jessie Bond was charming and had a lovely voice. She was 25 and pretty. Isabella hated her on sight.

    Isabella as Lady Sangazure

    Jessie Bond

     

    It will be no surprise to you, and it is quite astonishing that it was a surprise to Messrs G&S that, on hearing of their brilliant wheeze to give her songs to Jessie, Isabella upped and left, never to grace the stage of the Opera Comique again.

    Now, excellent singer though she was, Jessie had little or no experience of acting. She had been careful to stipulate that she should have “no talking to do, only singing parts”. Sullivan had been entirely captivated by her audition and she had to be included in the cast. Just for the singing, of course. Hebe’s dialogue was cut to the one or two lines Jessie thought she could manage.

     

    We think that is a bit of a shame and indeed Jessie went on to be a brilliant actor as well as a fine singer.

    For our production of HMS Pinafore our creative team have given Hebe, played by the brilliant singer and actor Cat Lee, rather more to do.

    Our director Paula Fraser has introduced music from other G&S operas for her to sing and to emphasise her role in the production. She has also found some of Sir Jospeh’s dialogue sits perfectly with Hebe’s enhanced role.

    Instead of Hebe being in favour of the marriage of Sir Joseph to Josephine, Paula has changed Hebe’s character to be hopelessly in love with Sir Joseph and unable to leave his side. She is delighted by everything he does, is overly excited about being on ship and steals some of Sir Joseph’s thunder – which does not make him look upon her as favourably as she would like.

    It is no surprise that Hebe encourages Ralph to continue in his pursuit of Josephine so that she can marry Sir Joseph herself, but will her undying devotion be enough?

    Cat Lee in Iolanthe

  • The first Frederic – Llewellyn Cadwaladr

    The first Frederic – Llewellyn Cadwaladr

    Piracy in Paignton?

    Allow me to introduce you to Arthur Dendy. No, not the towel-toting galactic traveller. That was Arthur Dent.  Arthur Hyde Dendy was the upright, uptight Birmingham barrister who transformed Paignton from a place famous for little more than growing cabbages into a flourishing seaside resort.  Arthur owned hotels, ran the local paper,  introduced a horse drawn bus service and built Paignton’s pier.

    By 1879, Arthur would have been a contented man as he strolled along the pier he had built. It had opened in June and became an instant hit with tourists, many of whom took advantage of the boat trips Arthur operated or hired bathing machines from one of his other companies. Arthur’s pretty daughter Mary had married the son of a baronet in May, and they were already expecting his first grandchild.

    Back in 1873, Arthur had built the town’s first theatre, the Royal Bijou. The theatre was small, no more than 50 seats but very luxurious and was said to be the venue for high class theatrical and other entertainments. No boisterousness or horseplay though. That was Torquay and Arthur would have none of it. His mantra was ‘Paignton prefers to be select, dignified and discreet’. Little did he know what was coming that December 1879.

    Llewellyn Cadwaladr had little inkling that December either. He was just 22, a trained tenor and had been singing the role of Ralph Rackstraw in Mr. D’Oyly Carte’s Second Pinafore Company since August. They were a touring company and the current run in Torquay’s splendid Lyceum Theatre had been a success with both locals and visitors. It was while he was performing his duties in the second Pinafore company that a shocking message arrived from London. To his amazement, Llewellyn learned that he had been chosen to take the leading tenor role in the world premiere of a brand-new Gilbert and Sullivan production. One can easily imagine his delight at such a plum booking. A young and newly qualified singer getting the leading part in the latest blockbuster from the world’s most famous and successful theatrical writing duo.

    There was, however, a snag. Well, several snags really. The world premiere of The Pirates of Penzance was to be in Paignton, not Torquay. Paignton had just one available theatre, Mr Dendy’s Royal Bijou. It held a mere 50 paying customers. There was to be only one performance. It was for no better reason than to establish the British copyright before the show was performed by the main company in glitzy, glamorous New York.  Poor Llewellyn would create the role of Frederic in front of fewer than 50 people on a December afternoon in the former cabbage town of Paignton. Llewellyn could be forgiven for feeling a bit crestfallen.

    There was another problem. Mr D’Oyly Carte was most anxious that no one should be able to make pirate copies of the new opera. The cast were not to see the score or libretto until the very last minute. They could not rehearse the opera; they would take the scores onstage with them. Those scores would be hastily printed copies wired from London. There would be no scenery and they would wear their HMS Pinafore costumes. The show was set for Monday 29th December at 2pm.  By the morning of the 29th Llewellyn and the rest of the cast still had no word of what they were actually supposed to be performing. The wire service from London apparently finding the transmission of some 9,000 words and accompanying music score something of a challenge. The production was hastily re-scheduled for Tuesday 30th.

     

    And they did it.  Dressed as sailors, sisters, cousins and aunts from HMS Pinafore with no scenery and holding the printed scores in their hands, the gallant crew of the second Pinafore company performed the first ever production of The Pirates of Penzance.  It has to be said that the theatre was not particularly full. That was hardly to be expected in Paignton in December, but those who attended were rather impressed. One unexpected member of the audience was Benjamin Disraeli, the prime minister. He had been in Paignton visiting his long-time mistress who lived conveniently close in Roundham Road. By then “Dizzy” was an energetic 75 year old.

    In those far off days, politicians used to tell parliament what they had been up to in their spare time and Disraeli accordingly reported his attendance – without of course mentioning Roundham Road. A back bencher, having not heard of Paignton, asked Dizzy where it was. There is nothing prime ministers like more than a soft question from a back bencher and Disraeli obliged with a fulsome answer in praise of the resort. In his detailed reply, the prime minister said he had won a penny and a coconut on the pier. He then announced an increase in income tax. An increase bringing the tax to nearly 2%…..

    Arthur Dendy went on to build sports grounds in Paignton for archery, cycling and rugby.  He died in 1886 at the age of 65 leaving behind a splendid pier and much else still to be found in that town.

    In 1880, his Paignton pier-head pavilion hosted a production of HMS Pinafore, re-titled ‘HMS Pinafore on the Water’, performed by the main D’Oyly Carte company.

    Llewellyn never got to create a new role for Gilbert and Sullivan again though he went on to take leading roles in many revivals of their operas over the following 16 years.

    He died in Chelsea in London at the age of 53. He is buried in an unmarked grave in the Actors’ Acre in Brookwood Cemetery.

  • Iolanthe – take 2

    Iolanthe – take 2

    Iolanthe – again?

    If you enjoyed our production of Iolanthe in March go and see the Putteridge Bury G&S production this October.

    Putteridge Bury Gilbert and Sullivan Society are very close to our hearts. Some of us even perform with both societies.? By an amazing co-incidence, they are performing Iolanthe this year too. So, if you loved Iolanthe at Stantonbury and want to see another and different production of this amazing show, you know where to go..

  • The Sorcerer July 2019

    The Sorcerer July 2019

    Our summer show is “The Sorcerer”!

    This glorious tale of magic potions and mis-matched lovers will run for a full four nights.? Our first performance will be on Wednesday 17th July and we will run until Saturday 20th.? This production is set in the 1940s with handsome RAF officers, land girls, and home guards adding an exciting and interesting new look to a familiar favourite show.

    You are cordially invited to wear 1940s costume too if you wish. Let’s see how creative our audience can be!

    The show will be at Stantonbury Theatre and will have orchestral accompaniment under the baton of our Musical Director, Mike Crofts. Mike is joined by Director Graham Breeze to bring their special magic to this super Sorcerer show.

     

    Tickets are now on sale at Stantonbury Theatre box office 01908 324466

  • The Sorcerers are Ready

    The Sorcerers are Ready

    The cast is announced. The die is set. The teapot is coming….

    The Sorcerer cast list is….

    Sir Marmaduke – Alan Bennett
    Alexis – Robert Kendrick
    Dr Daly – Graham Mitchell
    Wellington Wells – Richard Fraser
    Hercules – Stephan Kirk
    Lady Sangazure – Paula Fraser
    Aline – Cat Lee
    Mrs Partlet – Kim Bennett
    Constance – Claire Moore

    … and everyone is working hard to bring you the best and brightest Sorcerer

     

    Tickets for The Sorcerer are on sale at Stantonbury Box Office?Tel?01908 324466?or click the link.

    Stantonbury Box Office are extremely helpful but, if you have any queries they can’t solve, feel free to contact us on tickets@wolvertongands.co.uk

  • Iolanthe Roger Chancellor

    Iolanthe Roger Chancellor

    Roger is playing the Lord Chancellor in our Iolanthe this March

    Roger rehearsing

    So Ruth asked Roger about his character….

    What’s your favourite thing about playing this character?

    The challenge of portraying the character in a sympathetic way.? The Nightmare Song has to be the greatest challenge for anyone who aspires to sing patter songs.

     

    Does your character have any hidden talents?

    He aspires to be an art connoisseur and even sometimes dabbles as a painter himself.? Ever since his brief marriage to Iolanthe, he has been strangely attracted by the works of the Pre-Raphaelite movement and especially ?The Mid-Summer?s Eve Circle of Fairies? by Glimmersmith and ?The Fairy Funeral? by John Anster Fitzgerald.? He really cannot understand this, as before he met Iolanthe, he thought them to be dreadful daubs!? There?s no accounting for how the mind can change.? Of late, he has become tormented by the nightmare surrealist scenarios of Salvador Dali.

     

    How do you learn your patter song?

    I start by putting the words and the line onto my phone, and then at any opportunity ? long car journeys are ideal, for some reason ? I play the words over to myself one stanza at a time, repeating them.? Then I go through and put them to the music.? Eventually it sticks and once I have it completely in my mind, I go through it mentally as often as I can ? usually when I?m doing something else, like walking the dog.

     

    ?What is your favourite line or moment in the show??

    The interaction between Tolloller and Mountararat in Act 2 ? one of the greatest moments of Gilbertian comic genius.

     

    Why should people come to see Iolanthe?

    Iolanthe encapsulates all the humour and absurdity of human frailty in an hour and a half of whimsical comic bliss.? The operetta might have been first performed in 1882, and is well over 100 years old, but it still manages to speak directly to matters that are entirely relevant today, from the absurdity of the political party system and the mindlessness of our political leaders, through the intricacies of legal speech to feminism and power of love to cut-through all our most dearly-held principles.? It combines wonderful Gilbertian satire with some of Sullivan?s most wonderful melodies – ?He loves! If in the bygone years?; stirring (but tongue-in cheek) patriotic songs – ?When Britain really ruled the waves? and jaunty dances ?Soon as we may?.? The combination makes this show an unforgettable evening?s entertainment.

     

    What is on your character’s bookshelf?

    Love in a Cold Climate ? Nancy Mitford

    Bleak House – Charles Dickens

    Where is Love ? Barbara Cartland

    Dr Jekyll and Mr Hyde ? H.G. Wells

    The Cottingley Fairies ? Lewis Carroll

    Truth and Beauty: The Pre-Raphaelites and their Sources of Inspiration ? Melissa E. Buron

    Dali ? Gilles Neret

     

  • Iolanthe hard working peers and peris

    Iolanthe hard working peers and peris

    Iolanthe – our peers and peris are working as hard as the real ones!

    We are working hard for you on our next big show.? The production team and cast have been enthusiastically rehearsing ready to bring you a great show.

    This Iolanthe has a Goth theme and we are even inviting our audience to join in and come in goth gear if they want to.? Friday night is Goth night!

    So, on Friday 27th you can rock your gorgeously gothic look. Of course goths and their friends are welcome any and every night.

    The Houses of Parliament will be in an uproar in March we have no doubt, and so will the fictional House in our production!

     

    Tickets for Iolanthe are on sale at Stantonbury Box Office?Tel?01908 324466?or click the link.

    Stantonbury Box Office are extremely helpful but, if you have any queries they can’t solve, feel free to contact us on tickets@wolvertongands.co.uk

  • The Sorcerer July 2019 preview

    The Sorcerer July 2019 preview

    Our summer show is “The Sorcerer”!

    This glorious tale of magic potions and mis-matched lovers will run for a full four nights.? Our first performance will be on Wednesday 17th July and we will run until Saturday 20th.

    The show will be at Stantonbury Theatre and will have orchestral accompaniment under the baton of our Musical Director, Mike Crofts. Mike is joined by Director Graham Breeze to bring their special magic to this super Sorcerer show. Tickets will go on sale at Stantonbury Box Office soon and you can register your interest at tickets@wolvertongands.co.uk

  • The Grand Duke

    The Grand Duke

    Actors going into politics – again?

    Well as if fairies taking over parliament wasn't enough, our friends at Putteridge Bury G&S are starting a new political party.

    Putteridge Bury Gilbert and Sullivan Society, who are so close to us we are almost related, are producing “The Grand Duke” the week before “Iolanthe”.? Some of the crossovers should be interesting! Details below…………..

  • Summer show 2019

    Summer show 2019

    Our next summer show will be bigger, brighter and better than ever!

    Our “Jack the Ripper” and “Showblitz!” performances were great fun to do and we had lots of really positive feedback. Summer shows are now a fixture in our calendar and the next one is being planned now.

     

    Do we know what the show is going to be? Not telling.

    Who is going to direct? Still secret.

    Where can you get a ticket? Can’t say yet.

     

    So what can we tell you?

    Well, the big news is that instead of the couple of performances we’ve done in the past, this time we are running the show for a full four nights.? Our first performance will be on Wednesday 14th July and we will run until Saturday 20th.

    The show will be at Stantonbury Theatre and it will not necessarily be a Gilbert and Sullivan operetta.

     

    Find out more

    Look out for GanderS spring 2019 issue which will have full details or follow us on Twitter @wolvertongands or Facebook

  • Iolanthe is coming. Rehearsals under way.

    Iolanthe is coming. Rehearsals under way.

    I predict a riot m’lords!

    Watch out! Here comes a big one. Our new production of Iolanthe has a distinctly gothic theme.? These are decidedly not flower fairies and they do mean business. All your favourite Gilbert and Sullivan action and music is there, with a full orchestra and a magnificently costumed and talented cast of players. And, just maybe, the odd surprise along the way….

    But when and where?

    Iolanthe will run from Wednesday 27th to Saturday 30th March 2019 at Stantonbury Theatre MK14 6BN.? Performances start at 7:30pm each night and there is a licensed bar and refreshments.

    Tickets

    Tickets for this show will, for the first time, be on sale at Stantonbury Theatre box office and not on our website. You can still find all the information about the show here, but for tickets, it’s Stantonbury.

    The tickets are ?17 with concessions at just ?15 and only ?5 for under 15s.

    The Stantonbury box office number is?01908 324466 and you can buy tickets online www.stantonburytheatre.co.uk

    Want to know more?

    For any questions about the show, you can tweet @wolvertongands or email iolanthe@wolvertongands.co.uk or call 01908 510452

     

  • Summer show 2019

    Summer show 2019

    Our next summer show will be bigger, brighter and better than ever!

    Our “Jack the Ripper” and “Showblitz!” performances were great fun to do and we had lots of really positive feedback. Summer shows are now a fixture in our calendar and the next one is being planned now.

     

    Do we know what the show is going to be? Not telling.

    Who is going to direct? Still secret.

    Where can you get ticket? Can’t say yet.

     

    So what can we tell you?

    Well, the big news is that instead of the couple of performances we’ve done in the past, this time we are running the show for a full four nights.? Our first performance will be on Wednesday 14th July and we will run until Saturday 2oth.

    The show will be at Stantonbury Theatre and it will not necessarily be a Gilbert and Sullivan operetta.

     

    Find out more

    Look out for GanderS spring 2019 issue which will have full details or follow us on Twitter @wolvertongands or Facebook

  • Iolanthe is coming. Batten down the hatches!

    Iolanthe is coming. Batten down the hatches!

    Watch the skies! The fairies are coming for their lordships and they mean business!

    Our 2019 Show is Iolanthe. The team is primed. The plan is in motion. Here it comes.

    Iolanthe will run from Wednesday 27th to Saturday 30th March 2019 at Stantonbury Theatre from 7:30pm each night. The tickets will be ?17 with concessions at just ?15 and only ?5 for children.

    The box office will open in July at wolvertongands.co.uk so keep an eye out for that.

    You can email tickets@wolvertongands.co.uk for more information or if you want to pre-book.

  • Showblitz! rehearsals

    Showblitz! rehearsals

    Nearly there! The show starts on Saturday 23rd June.

    What an exciting summer show we have in store for you this year!

     

    Ticket sales are already good but you can still get a seat if you hurry.? Our lovely new box office page shows you which seats are unsold, so you can choose where you want to sit.

    We have our own theatre vouchers too, if you want to give the gift of G&S.

  • The Mayor and Mayoress come to call

    The Mayor and Mayoress come to call

    Wolverton G&S welcomes the Mayor of Milton Keynes

    We were very pleased to welcome the Mayor, Councillor David Hopkins and his wife Susan to see our production of “The Gondoliers”.? They kindly posed for photographs and visited backstage after the show.

    It was quite a a moment when our president breezily introduced them to our dressing room just as we were getting out of our costumes! They were completely unfazed, unlike the semi-clad actors!

    Cllr Hopkins wrote us a very nice letter after the show saying how much they had enjoyed it. He enclosed information about his charity for 2017/18, Ride High and we have chosen them for our GanderS charity spot?in this issue.

  • Stevens on Sunday

    Stevens on Sunday

    Listen to the Stevens on Sunday Show with Ruth and Jo picking the songs

    Including some of the hit songs from The Gondoliers and Showblitz!

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  • Show time!

    Show time!

    Summertime tunes

    Summer is coming!

    This year there’s a break from our traditional mid-season mini-show. We’re going BIG.

    Big show numbers sung with a big orchestra for a big night out. With luck, we may even have Jo Bigg performing some of them!

    The Wolverton Light Orchestra have invited us to share in their summer fun with a great selection of your favourite shows.?

    The programme is still being?finalised?but expect to hear from My Fair Lady, Wicked,?Les Miserables, South Pacific?and a few more besides…

    Tickets are available from our stonking new box office now at the bargain rate of ?12.

    The Show dates are Saturday 23rd and Sunday 24th June 2018 at Stantonbury Theatre with a start time of 7:30pm.

  • Gondoliers a-coming!

    Gondoliers a-coming!

    Nearly there! The show starts on Wednesday 21st March.

    What a fabulous show we have in store for you this year!? The rehearsals for The Gondoliers have been amazing fun and quite strenuous too!?

    The costumes have been booked, the scenery selected and the orchestra primed. We are in business. Everyone is working hard with two rehearsals or more a week under our exciting and innovative production team. Don’t worry though, we are not about to do anything too radical. We are faithful to tradition this year. Well…. Maybe a few innovations!

    Ticket sales are better than ever but you can still get a seat if you hurry.? Our lovely new box office page shows you which seats are unsold, so you can choose where you want to sit.

    We have our own theatre vouchers too, if you want to give the gift of G&S.